Panasonic AG-UX90 Overview
The Panasonic AG-UX90 4K/HD Professional Camcorder records UHD 4K at up to 30p, and FHD up to 60p in variable frame mode. The camera supports 59.94, which is analogous to NTSC, making the camera compatible with US broadcast standards. It features an integrated 15x optical zoom lens and a 1″-type sensor, and can record UHD 4K and Full HD in MOV and MP4. The camera is also capable of recording HD in the AVCHD format.
The AG-UX90 offers gamma settings for eight different scenarios, and manual control rings for iris, zoom, and focus. To monitor the status of all settings and perform critical focusing functions, the camcorder features both a high-quality 3.5″ LCD touch screen, and a full-color LCoS 0.24″ viewfinder with 1,560,000 dots of resolution. It incorporates two SD slots that allow for simultaneous recording in UHD and HD. You can also choose relay recording, which allows the recording to shift from one card slot to the other as the card fills up.
Panasonic Optical Technology
Digital Zoom
Manual Control Rings
Intelligent Auto Focus
Customizable Auto Focus
Manual Focus
- Focus assist (expand and peaking): You can select from enlarging a part of the image to check the focus, or engaging focus peaking, which highlights the sharpest part of the image in a solid color. You can select to engage either or both functions simultaneously.
- One-push AF: Temporarily activates AF when you are in manual focus mode, when you press the Push AF button.
- Manual focus assist: For quick and accurate focus, this mode fine-tunes the focus adjustments you make using the focus ring.
- Area functions: Enables you to touch the LCD screen and have the camera adjust focus to make that area sharp (can also be used for Auto Iris and screen brightness)
ND Filter
Skin Detail Adjustment
Eight-Mode Gamma
- HD norm: For standard HD recording
- SD norm: For standard SD recording
- Filmlike 1: Reproduces more gradation in highlight areas than when shooting in HD
- Filmlike 2: Reproduces more gradation in highlight areas than when shooting in Filmlike 1
- Filmlike 3: Reproduces more gradation in highlight areas than when shooting in Filmlike 2
- Cine-like D: The Cine-like mode shifted to prioritize dynamic range
- Cine-like V: The Cine-like mode shifted to prioritize contrast
- Still-like: Setting to match images captured with still cameras
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